I'm very strongly in favor of the auteur theory.

Most people, 95% of people, are good people. It's the 5% who get seduced by power.

Obviously you have a responsibility – one would like to think there is such a thing as ethics in filmmaking.

At times doc filmmaking feels more rewarding creatively. Because you are creating something out of pure cinema – instead of narrative cinema, where you’ve got a script and a cast and you build from your foundation, whereas in documentary, you’re building out of chaos.

I love the grandiosity of Hollywood movies, and even in independents, I love the canvas you can tell your story on. I love fiction filmmaking, you really feel like you’re creating something.

The promise of celebrity is a transcendental human state of existence. It’s not real. We do know the fact that celebrities as mortal beings exist and if you are looking for love by being famous or being around the famous – ultimately that goes away.

The promise of celebrity is a transcendental human state of existence. It's not real. We do know the fact that celebrities as mortal beings exist and if you are looking for love by being famous or being around the famous - ultimately that goes away.

Theres something unique about the United States, a sense of individual rights and freedoms, and a sense of social and civic responsibility that we contributed to so much of the world. We lost that mission in the 1980s and 1990s, when we entered a gilded age, and the culture of individualism became a culture of avarice.

The arc of the celebrity phenomenon ultimately is: everything turns to dust and everything does go away.

Im fascinated by failure, and Im fascinated by finality. Shakespeares historical plays are more universal than his comedies because they relate to the finality of life. Without finality, life would not be beautiful.